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Annotation Mistborn Chapter Fifteen


The following is an author’s annotation that relates to a specific chapter of the book MISTBORN: THE FINAL EMPIRE. Note that the following is NOT the text of the actual chapter, but a companion to the chapter, revealing “behind the scenes” information. If you have not read the book up to–and including–this chapter, you risk serious spoilers! Please, if you haven’t read MISTBORN, go visit the sample chapters, or perhaps purchase the book via Amazon.

You can navigate between annotations by using the list of links on the left. The very first annotation has a more detailed explanation of what is going on. If you want to start there, go to this link. Note–thoughts in the following annotation that might spoil later chapters have been hidden. You can reveal them via the button on the left, and they will appear in red. Not all chapters have hidden text–in fact, relatively few of them do. Thanks!


Chapter Fifteen

This two-chapter cycle is one of my very favorites in the book. It’s the sort of thing you can only pull off–in my opinion–after good set up. The reader has to feel an attachment to the characters so that the tension works. They also have to understand the magic so that the action is quick, not laden with explanations or confusion. And, they have to understand the context so that it feels like something is at stake.

But, when everything comes together, you get chapters that are very powerful and, hopefully, fulfilling. The scene with Vin falling in the rain, hitting the rooftop, then crawling into a puddle is one of the first and most vivid ones I had for this book. Then, the image of Sazed–the quiet, humble scholar–appearing at the lair with the dying girl in his arms. . . .<.p>

Well, I feel that these two chapters are some of the best I’ve ever written.


Burning metals by instinct, by the way, is something I had to add to the book for scenes like this. I had to be able to have characters be able to heal quickly–in a relative sort of way–so that I could keep the pacing where I wanted it. That meant long term, quick healing, if that makes any sense. I made it possible for an Allomancer’s body to use metals–particularly pewter and tin–when they needed them.



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