The following is commentary, written by Brandon, about one of the chapters of MISTBORN: THE HERO OF AGES. If you haven’t read this book, know that the following will contain major spoilers. We suggest reading the sample chapters from book one instead. You can also go to this book’s introduction or go to the main annotations page to access all annotations for all of Brandon’s books. For those who have read some of MISTBORN 3, any spoilers for the ending of this book will be hidden, so as long as you’ve read up to this chapter, you should be all right.
Avoiding Hints about the Epigraph Author
The epigraph to this chapter, where the epigraph author discusses that he/she is going to refer to each group as “we” is very important, though most readers skip over it. What she/he is saying here is that you aren’t going to be able to guess who he/she is simply by looking at which parts of this book she/he discusses. And that’s all I’m going to say, because typing he/she all the time is getting very annoying/frustrating.
We get to dig a little bit deeper into the kandra culture here. True Bodies were one of the more interesting things I wanted to discuss in this series, and I’m glad I finally found a chance to show them off.
It makes perfect sense to me that kandra would turn their skeletons into works of art. Some have asked me why they don’t do more—take their bodies more to the extreme. But TenSoon addresses that right here, in a way. The kandra are too used to having human shapes; that is what makes sense to them. It’s odd how something inherited from a society’s oppressors can become an important part of that society’s culture.
I worked for a long time to make the kandra culture feel real and interesting. The idea of shape-shifters is not new, particularly changelings who take the place of humans they meet. And so my means of making the kandra distinctive can’t come from what they are but who they are. Their culture, their thought processes.